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The Colossus of Maroussi (New Directions Paperbook), by Henry Miller
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Pressestimmen
Miller captures the spirit and warmth of the resilient Greek people in his story of a wartime journey from Athens to Crete. (National Geographic)Miller's Colossus of Maroussi, a paean to Greece drawn out of a nine-month visit...is the gestation time for a human and, in Miller's case, for the imaginative re-creation of a country, a culture and his own fierce energies. (Richard Eder, The New York Times)
Über den Autor und weitere Mitwirkende
Henry Miller (1891--1980) was one of the most controversial American novelists during his lifetime. His book, The Tropic of Cancer, was banned in the some U.S. states before being overruled by the Supreme Court. New Directions publishes several of his books.
Produktinformation
Taschenbuch: 223 Seiten
Verlag: Norton & Company; Auflage: 2nd ed. (14. September 2010)
Sprache: Englisch
ISBN-10: 9780811218573
ISBN-13: 978-0811218573
ASIN: 0811218570
Größe und/oder Gewicht:
13,5 x 1,8 x 20,3 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
3 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 36.640 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Henry Miller's reputation as a writer needs little verification from the likes of me. Nevertheless, it is a pleasure to be able to confirm the abilities of a truly great author. This example of his work is in some ways a peculiar one since it was written during a turning point in modern history, namely the Second World War, and was inevitably a turning point in Miller's own life as well.Henry Miller has not always had kind things to say about his native U. S. A. Here, in "The Colossus of Maroussi," he uses the American state as a kind of false backdrop for his discoveries in Greece. For Greece is the central geographical landscape on which he builds. Far from being a travelogue, however, it is a story of that ancient land and some of its people; Miller uses the fabric of Greek life to weave a story of mankind.His writing is distinctly dated today, but delightfully so. It is full of a poetic imagery that is almost entirely absent from the main stream of post-modern literature. As such, it is very complex writing which occasionally seems to be almost self-serving, as if the author was writing for no one but himself. In the main, it is a very accessible book that tries to reach out in pure, non-political terms to touch the essential core of what is man. At the present time, we could do well to review our own situation in life, and one way of doing so is by simply reviewing the literature on the subject. I recommend "The Colossus of Maroussi" as a place to start. Besides being the work of a truly formidable writer, it will take you to places you probably never dreamed existed.
This must be counted among the most peculiar books ever wrtitten about Greece by an Anglophone writer, but it is also among the most truthful and , at least in part, beautiful. Henry Miller states that he approaches Greece with little book learning (p. 89) and considers himself a savage. He is really no savage but we can perhaps call him a barbarian, in the sense that Walt Whitman and Robert Browning are barbarians. This is an important point that distinguishes him from his friend and fellow philhellene writer Lawrence Durrell, who also wrote a good deal about Greece but with another kind of imaginative but more refined sensitivity. The title of this book refers to someone called Katzimbalis, a magnificent raconteur who seems never to have published anything himself but did a lot to promote the work of some important modern Greek poets. (See Edmund Keeley's books for details of the great English-Greek-American literary friendships of the thirties and forties.) But the book is not really about its purported subject. It is about the changes taking place in Greece during the thirties and changes that took place in Miller as a result of his long stay in that country. He presents the experience as mind-altering. The structural pivots of the book are visits to Knossos, Phaestos, Mycenae and Epidaurus. Each of these visits becomes an occasion for meditations on the meaning of life and death, all delivered in the author's peculiarly masculine and barbarian style. But the best writing is found when he deals with the low-lifes of Syntagma Square in Athens, who offer him whores and beautiful young boys. How innocent life was in the thirties. Listing is an important part of Miller's style. He piles up great numbers of nouns or present participles or finite verbs. Sometimes the reader feels a bit overwhelmed by them. Miller lived in France for quite a while and brings to his work the post-adolescent dislike of American culture and society that used to infect every intelligent American a few generations ago. Everything American is bad...everything Greek is good. Miller is passionate about nearly everything and dosn't try to hide it. He doesn't write to give the reader pretty words but to give a vision of truth as he sees it. I think he sees it well, even though his vision is different from mine.
Henry Miller takes us to quite an unusual experience and perception of Greece with the power of his words in this comparatively unknown book. This is no trivial travelogue, but it was a great pleasure to delve into his experience as if it was his reader's own!
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